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Main problem is whether gender justice and equality in art performance, mainly in traditional art performance, have become central issues in efforts to socialize and as a gender mainstream in Education, Law, Economy, Politic, and Social. In general and traditional art performance, woman always involved, especially the main actresses in various art performances, they are adored both as ‘diva or idol’ who are able to attract people and also are humiliated because, in some occasions, she shows her over-sensuality so that it humiliates her dignity as a woman. The both positions generate a number of questions about position of gender mainstream and its advocating. INTRODUCTION There is statement that in art woman is also marginalized. The meaning of the above statement is very deep, because in the world of art, such as art of literature, performance art, sculpture art, recording art, skill art, and so on, woman, beside as an object of art work, in the process of art action, she also has never got responsive justice and equality gender. Art constitutes a human cultural product that neutral in gender, both man and woman have equality in creation and utilize it for social and cultural life. In the life of traditional performance art, woman is much involved, both as an actress of active art and as performance organizer. Woman often identified as a powerless art object. Even, in traditional performance art that should be neutral in gender, woman is involved in stressing a brand suffering gender inequality and injustice. This is a gender injustice and a gender inequality for woman in getting the same rights both as actress and art performance organizer. Results of some researches inform that there are still unbalancing in the society about certain values that cornering woman as an actress in art performance in expressing their art acting. Nevertheless, income received by actress is not balance with her professionalism only because she is a woman. Woman as an organizer often finds difficulties to get access of credit for art performance and lobby of cultural communication only because she is a woman. Beside that, there is still negative perspective to woman as an actress because of its performance schedule and their involvement with many people. Based on the reality of woman as an actress in traditional art performance, it needs other perspective in viewing woman as she conducting their traditional art performance activities. This new perspective could be started from redefinition based on the cultural

WOMAN AS ACTRESS OF TRADITIONAL PERFORMING ARTS AND GENDER JUSTICE IN EAST JAVA