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The affinities between the work of Paul Klee and children's pictures have been acknowledged in the scholarly literature. Klee's interest in childhood has been largely viewed as an alternative form of Primitivism. In this thesis, I will argue that childhood was a source of spiritual revelation for Klee. Three main ideas have been gleaned from his writings and works that confirm this notion and are examined here. One, Klee viewed children as direct expressions of the spiritual beginnings of man. Two, Klee valued a childhood that was unaffected and wild. This experience, in Klee's view, was a true state that could access the spiritual and otherworldly. Three, Klee regarded children's play and fantasy as activities that directly access cosmic and spiritual energies. The continued interest in Klee's association with children in the form of children's books and the Zentrum Paul Klee's large-scale accommodation of children's art is addressed in the

Childhood, play and fantasy as spiritual revelation in the work of Paul Klee