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This study of Saskatchewan ceramics fills a gap in the existing art historical research. It is a broad overview of some of the people and topics related to the development of ceramics in Saskatchewan from the early 1960s (with a few exceptions) to present. The first chapter focuses on functional ceramics, and outlines a methodology to use when examining functional wares. The second chapter addresses sculptural ceramics with particular attention given to ceramists involved with clay in Regina. The final chapter addresses how both public and erotic ceramics can be counter-hegemonic. The figures have been presented in a separate volume to facilitate crossreferencing between the text and the images. The third volume consists of 18 transcripts of people involved within the Saskatchewan ceramic community. They were conducted during the research phase of this project, and are included to provide an oral history that enriches the contents of this thesis. Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Volume 1 Acknowledgements ii

Prairie pots and beyond: an examination of Saskatchewan ceramics from the 1960s to present