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Francophone diaspora literature reveals unstable worlds. In facts, the metamorphosis of the self would be a reflection of a number of unconventional narrative forms: reflexive territories whose benchmarks would be, mainly, at the level of migratory movements. Such a broad subject could be partially identified on the basis of a definite corpus. Two authors draw attention to this: Assia Djebar and Mohammed Khair-Eddine. Their respective works, L'Amour la fantasia and Une Odeur de manteque, lead the recipient to a rather intriguing journey insofar as memory, enunciation and temporality intersect with the fields of otherness and de-territoriality. By means of a comparative approach, we propose a modest illumination on these inner-self and outer-self problematized spaces. Weighing with all their strenght on postmodernity, they still resonate in the 21st century with the critical margins of the collective unconscious.

The identity of destruction and the construction of identity in L’amour la fantasia of Assia Djebar and Une odeur de mantèque of Mohammed Khair-Eddine