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In recent years, feminism has experienced a popular resurgence in the Global North as a result of increased visibility in the media and popular culture (Rivers 2017; Rottenberg 2018; Banet-Weiser 2018). Nowadays, it is not uncommon for celebrities to boast feminist identities or for mainstream media to cover stories about feminist issues. While some consider feminisms’ re-emergence as a cause for celebration, others approach it with great caution. Furthermore, debates are rife about whether this current period of feminism is an extension of the third wave (or a “new” wave altogether), or whether we are in a period of postfeminism (or, post-postfeminism, for that matter) (Gill 2017; Rivers 2017; Rottenberg 2018). The focus of feminism has shifted away from the collective towards the individual, reconfiguring feminism as neoliberal and emptied of its radical content (Rivers 2017).

Feminist Ways of Seeing: The Radical Potential of Zines