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There are two art-pieces presented in the article, both from different times and spaces. On the first hand impression they seem to differ but in fact they share the same cause which is the ability to beget faith. This is the analysis based on the facts that have already become completed and it may provoke a complex debate. The first art-piece is “Drzwi Płockie” (“The Door of Plock”) – an art craft that was formerly situated on the entrance to the Plock Cathedral, the second is Garden of Eden carved in silver, gold and other gems that has been produced during the Mexican classical period. While analyzed they share a common context – they are The Signs of Time. In the article the figurativeness has been omitted on purpose. The focus is on the floristics in bronze of Plock’s historical cathedral’s entrance and golden gardens of Mexico as it produces the vision of the paradise – the venue of authentic transcendency, the Absolut. “The Door of Plock” and golden flowers of king Netzahualcoyotl have its’ specific situation, both special and historical. Magnificency of paradise garden’s flora, that derives from this place only, is very often placed in ideological picture that comes from various sources and is not being analyzed in the aspect of creation and transformation to pieces of Fine Art. However in this very act of creation and transformation lays the invitation to read and understand these signs and the art-pieces’ narration and its historical background. At their times these actions brought an unique values, such as atonement. This is why I decided to put both of this masterpieces in wider perspective that extends its conventional special and historical context. I will present them as the signs of time – per saecula seculorum.

Element szczególny w otoczeniu – znaki czasu. „Drzwi płockie” na Wzgórzu Tumskim w Płocku i Złote Ogrody Texcoco w Meksyku