English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

The aim of this article is to present a language analysis of one of the most beautiful dialectal poems of Fr. V. Padula. The dialect used by Fr. V. Padula is called the Acrian dialect (spoken in the city of Acri, Cosenza Province) and it belongs to a group of northern Calabrian dialects. The lullaby [Ninna-nanna di Madonna], sung by Holy Mary, is the second part of the poem La Notte di Natale. Fr. V. Padula was the first artist in history to bring the Acrian dialect to such a level of lyricism and piety. The Acrian dialect served him as a  testimony to the Calabrian society and culture. [Ninnananna di Madonna] includes some biblical references to the main truths of the Christian faith.

Linguistic Aspects of [Ninna-Nanna di Madonna] Part of the Calabrian Dialect Poem la Notte di Natale by Fr. Vincenzo Padula (1819-1893)