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The main goal of this paper is to establish parallels or, as it were, some form of continuity between two novels by Lidia Jorge that are several decades apart: A Costa dos Murmurios (1988) and A Noite das Mulheres Cantoras (2011). It is argued that both novels can be read as social parables – their very different subjects notwithstanding built on the dichotomy oblivion / memory. Structurally, in particular, each novel includes a brief narrative representing the impulse to forget or to hide, which is followed by a long tale apparently destined to unveil and force recall of everything that, before, had been meant to be obliterated.

Ecos de A Costa dos Murmúrios em A Noite das Mulheres Cantoras, de Lídia Jorge. Esquecimento, memória e parábolas sociais