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EnglishThis article discusses Olympia, the painting by Edouard Manet, and its copy by Guilherme de Santa-Rita presented at the Academia de Belas-Artes exhibition inaugurated the 18th of March, 1911. I believe that Santa-Rita’s painting must occupy a significant place in art historiography in Portugal, namely the history of Portuguese modernism. The article emphasizes the reception of Olympia’s copy presented precisely the day before the 1911 Free Exhibition. Santa-Rita’s copy, regrettably forgotten nowadays, questioned Portuguese painting and the portrait genre in particular, namely their relation with human body at the beginning of the 20th century, as well as the overwhelming hypocrisy of the whole society. To remember this painting is essential for the history of portrait art in Portugal. portuguesEste artigo discute a pintura Olympia de Edouard Manet e a copia pintada por Guilherme de Santa-Rita, apresentada na exposicao da Academia de Belas-Artes, inaugurada em 18 de Marco de 1911, entendendo que esse trabalho deve ocupar um lugar significativo na historiografia da arte em Portugal, sobretudo para a historia do modernismo portugues nas artes plasticas. O artigo destaca a recepcao dessa copia apresentada naquela exposicao, precisamente no dia anterior a Exposicao Livre de 1911. A Olympia de Santa-Rita, hoje lamentavelmente esquecida, questionou a pintura e o genero do retrato em Portugal, a sua relacao com o corpo logo no inicio do seculo, quando nao toda a hipocrisia de uma sociedade. Relembra-la e fundamental para a historia da arte do retrato em Portugal.

O retrato em ruínas e o corpo que nos olha