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In this paper, we show how the Vladimir Propp’s marvelous tale’s theory and Roman Jakobson’s metalanguage concept, designed from the literary domain, collaborate to the critical analysis and to the construction of the Jean-Pierre Jeunet’s film, Le fabuleux destin d’Amelie Poulain (2001). This paper tries to highlight the different dialogs that the cinematographic work maintains with the literature through its narrative structure and poetic resources.

DA LITERATURA AO CINEMA: OS DIÁLOGOS INTERARTÍSTICOS EM <i>LE FABULEUX DESTIN D’AMELIE POULAIN</i>