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in this essay we will seek to make an incursion through the style of philosophical writing and the influences that the fictional writer’s artifice of composition can exert on the creation of the text of philosophy, in the specific case of Henri Bergson’s philosophy and how the use of images and analogies, particularly, play special roles in the development of intuition as a method to reach the goal of Bergson’s metaphysical contributions, duration.

Bergson literato – ensaio sobre o estilo de composição do texto filosófico