English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

The article reveals the heuristic possibilities of introducing a constructivist interpretation of the phenomena of ethnos and ethno-cultural identity, made on the basis of symbolic constructs of consciousness of a mythological and metaphysical sense. Considering these phenomena from this perspective makes it possible to give a qualitative new interpretation of the understanding of modernizing transformations on the basis of a certain ethno-cultural complex, which is able to effectively conquer the achievements of European modernity. The peculiarity of ethno-cultural identity, which becomes a condition for successful modernization, is modeled on the examples of the development of professional art in Yakutia in the ethno-modern paradigm in the national theater, cinema and choreography. The paper presents the first generalized analysis of the possibilities of ethno-cultural modernization in the “multiple modernities” paradigm, which is based on the ontology of symbolic consciousness of representatives of non-modernized ethnic groups.

rupkatha journal on interdisciplinary studies in humanities

Construction of Modern Ethno-cultural Identity by Symbolic Art Forms as a Condition for Self-development of Culture: on the Example of Yakutia (Siberia, Russia)