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The paper aims to account for the mystical experience expressed in the Afectos Espirituales by neogranadina Tunja poetess, Sor Josefa Del Castillo (1671-1742). This famous text, from the Hispanic American colonial era, can explore the mystical, not as a disease or as a production joy, but as a phenomenon that conceals the aesthetic reality. One of the objectives basically tries to answer what the mystical experience is as poeticised by Castillo in the Afectos Espirituales , taking liminality as a hermeneutical key based on the medieval and contemporary philosophical horizon. Hence, in the first paragraph, a brief sketch is presented on the neogranadine poetess; in the second, there is an effort to make an approach to the chosen hermeneutical method according to Dilthey, under the concept of liminality . In the third, there is the development of the concept of experience , based on Dilthey, within the mystique of “ Afectos” . In the fourth section, the aesthetic reality is addressed under interesting concepts such as those presented by Bajtin, Ficino, among others, and the symbolic-poetic language. The article concludes with this aesthetic reality that permits the discovery of the sense of its symbolic-poetic creation and of its mystical experience with Marsilio Ficino´s Renaissance concept of "divine furor" which constitutes the poet´s mystical experience, whose poetry insinuates unknown key concepts to try to read from a different perspective the Colombian historical, cultural and religious way of thinking from colonial period to the present day.

La mística en los “afectos” de la poetisa Del Castillo: una experiencia liminal