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The focus of Clara F Guernsey’s short novel The Merman and the Figure-head: A Christmas Story is a merman who mistakes a ship’s figurehead for a nymph. Alongside this, in sharp and humorous parallel, runs the story of the merchant who commissioned the figurehead, which is based on a local woman whom he admires and then marries. Guernsey specifically refers to a tradition of writings about the mer-world, including Hans Christian Andersen’s ‘Den lille Havfrue’ (‘The Little Mermaid’), The Arabian Nights, and Moby Dick. Funny and light-hearted, the story uses the idea of an alternative underwater world to raise questions about human love and values, and challenges 19th Century assumptions about gender and behaviour. When one old mer-professor indignantly challenges the argument that human beings are undeveloped mermen, to staunchly argue that humans are, in fact, undeveloped walruses, Guernsey wittily employs “the world under the water” to satirise its above-water counterpart. Mer-culture enables a critique of human culture.

“I’d Like To Be Under The Sea”: Modelling gender in Clara F Guernsey’s The Merman and the Figure-Head