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Resume : Le conflit qui eut lieu en 1947, par voie epistolaire et a coup d’expositions, entre—d’une part—le groupe surrealiste de Bucarest et le peintre surrealiste bruxellois, Rene Magritte, et—d’autre part—celui-ci et Andre Breton, chef de file du groupe surrealiste de Paris, est considere ici comme revelateur d’une des multiples tensions qui ont traverse le mouvement surrealiste international. Au lendemain de la seconde guerre mondiale, par l’affrontement de sensibilites divergentes et de rhetoriques fort marquees, ce bref episode temoigne d’un des moments les plus nevralgiques de l’histoire europeenne. En reconstituant cet episode a partir du groupe bucarestois, encore peu connu, l’article le presente aux lecteurs.  Mots-cles : Surrealisme, Infra-Noir, Gherasim Luca, Paul Păun, Victor Brauner, Seconde guerre mondiale, Andre Breton, Rene Magritte, amentalisme, 1947  Abstract: The conflict waged in 1947, through letters and exhibitions, between the surrealist group of Bucharest and the Belgian surrealist painter, Rene Magritte on the one hand, and, on the other, Magritte and Andre Breton, the leading figure of the French surrealist group, is being considered here as typical of the multiplicity of tensions that traversed the international surrealist movement. In the aftermath of the second world war, this conflict bears witness, through the confrontation of divergent sensibilities and strong rhetoric, to one of the most nevralgic moments of European history. By reconstituting this episode from the position of the little-known Bucharest group, the article introduces it to the readers.  Key words: Surrealism, Gherasim Luca, Paul Păun, Victor Brauner, World War II, Andre Breton, Rene Magritte, Amentalism, 1947

Le groupe surréaliste de Bucarest entre Paris et Bruxelles, 1945-1947 : une page d’histoire