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Over the past fifteen years, Brasilia has nurtured an innovative blend of choro, rock, Northeastern Brazilian dance rhythms, and the experimental music of Hermeto Paschoal. The resulting hybrid genre features extended improvisations, improvisations that occasionally become fixed, repeatable parts of the composition through a process of auditory exchange from one musician to another. The music of harmonica player Pablo Fagundes exemplifies these tendencies.

Pablo Fagundes and the Instrumental Music of Brasília