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espanolEl presente trabajo tiene como objetivo el estudio de la portada del desaparecido convento de San Lorenzo de Montilla (Cordoba) desde un punto de vista arquitectonico y de sus elementos artisticos, correspondiente al periodo renacentista. Para ello se ha realizado un seguimiento de su configuracion constructiva a traves de modelos de la Antiguedad Clasica y de los tratados de Diego de Sagredo y Hernan Ruiz II. El estudio iconografico planteado demuestra la armonia entre elementos cristianos con otros de raigambre clasica. Como conclusion, esta portada manifiesta la plena asimilacion del pensamiento humanista mediante la utilizacion de un lenguaje arquitectonico y plastico que sigue modelos del renacimiento, exaltando la identidad de la II marquesa de Priego a traves de la utilizacion de motivos de reconocida firmeza imperial. EnglishThe present work has as object the study of the main front of the disappeared convent of San Lorenzo of Montilla (Cordoba) from an architectural point of view and its artistic elements, corresponding to the Renaissance period. For it, a continuation of its constructive configuration through models of Classical Antiquy has been carried out and Diego de Sagredo and Hernan Ruiz II treatises. The planned iconographic study demonstrates the dialectical harmony established between Christian elements with others of classical tradition. In conclusion, this main front shows the assimilation of the humanist though through the use of an architectural and plastic language that follows Renaissance models, extolling the identity of the II Marquise of Priego through the use of motives of recognized imperial firmness.

La portada del convento de san Lorenzo de Montilla (Córdoba): Nuevas aportaciones sobre su definición arquitectónica y análisis iconográfico