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As shown by the analysis of the narrative perspective, the texts of French language African women writers reveal a gradual move towards ever more complex expressive forms. Focusing almost exclusively on the narrator, early-written stories tend to present events as a whole already filtered by conscience, thus conveying the memory of an experience. However, the monological interpretation of the past is later replaced by a polymodal representation where memory grows richer through an overall processing of past experiences, which we dub the experience of memory.

Narración y perspectiva en las escritoras africanas: de la memoria de la experiencia a la experiencia de la memoria