English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

The comedy Los primeros mártires del Japón was traditionally attributed to Lope de Vega, although nowadays more and more scholars consider it a work by Antonio Mira de Amescua. This dramatic piece encourages us to discern its evangelizing and orientalizing functions and to analyze the bridges between the two cultures. In addition, the comedy does not leave out the woman showing her as a hunter, presenting similarities with Rosaura in La vida es sueño, by Pedro Calderón de la Barca, the female characters of Amazonas en las Indias, by Tirso de Molina, or other women dressed of man in the theater of the Spanish Golden Age. Because the profile of a warrior faces the official representation of the woman of the moment, Los primeros mártires del Japón offers a special interest as a starting point for a brief analysis of the liberation of women as early as the 17th century.

<i>Los primeros mártires del Japón</i>: la mujer cazadora en esta y otras obras del Barroco español