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The translation of literary texts can be viewed as cultural textualisation,1 since translators, in order to address a new readership, have to consider those qualities of the original which have the potential to address a target audience embedded in another culture. Such considerations may lead translators to apply various translation procedures and consequently to introduce different textual changes ranging from translation shifts or transpositions2 to adaptations. The former translation procedure involves changes

When an Old Tale Faces a New Culture: A Study of Croatian Translations of Martin Krpan