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Resumen Para definir un objeto por lo general partiriamos refiriendonos a aquello que podemos hacer con ese objeto, es decir la utilidad que obtenemos de el. Sin embargo ?Como podemos definir un objeto que no es uno, sino muchos? ?Como describir su forma si posee muchas formas? Y sobre todo como hablar de su funcion si teniendo muchas, es una sola la que lo hace ser ese objeto. El souvenir es un objeto que nos plantea estas interrogantes debido a su ambiguedad, por lo que la idea de autenticidad resulta tambien una categoria compleja de analizar en ellos. En las primeras paginas plantearemos una definicion conceptual de los objetos de recuerdo, desde su condicion de objetos simbolicos, para intentar organizar a partir de su analisis una categorizacion acerca de la idea de autenticidad y como esta se relativiza en el proceso de mediatizacion que implica el diseno de los recuerdos de viaje. Abstract To defi ne an object usually would leave referring to what we can do with that object, ie the utility we derive from it. But how can we defi ne an object that is not one but many? How to describe the way if you have many ways? And especially how to talk about their role if taking many, it is one which makes him the object. The souvenir is an object that raises these questions because of its ambiguity, it is that the idea of authenticity is also a complex category of analysis in these objects. In the fi rst pages we will raise a conceptual defi nition of memorabilia, from its status as symbolic objects, to try to organize from a categorization analysis about the idea of authenticity.

arte, diseño e ingeniería

Definición conceptual del souvenir: autenticidad en el objeto de recuerdo = Conceptual definition of souvenir: authenticity in the object of remembrance