English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

Anglophone Cameroon literature expresses a people‟s collective predicament within a given social universe with which the writer stands in dialectic relationship. Its literature is by and large fairly new and like all things in their youthful stage, it is obsessed with a curiosity for the past and a zeal to create the future. Writers see themselves as the spokesmen of their people, and .the Anglophone Cameroonian writers have taken it upon themselves to lead the struggle to overcome alienation of Anglophones within the Cameroon general identity which has led to the desire to reassert and restore their loss identity, to create as it were a past, a present, and a future for their people. But before any feeling of roots can be engendered in any society, it is necessary to understand one‟s history. The subaltern in Cameroon remains hunted by rootlessness, aloofness and a growing sense of isolation, which fires-up a feeling of not belonging and loss of identity. The experience of these feelings can be physical, mental, religious, psychological, political, social and economic Abstract:

Alienation and Identity Outrage in Post-Colonial Anglophone Cameroon Literature. Aspivakian Reading of Bate Besong’s the Banquet: A Historical Drama