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Dylan Marlais Thomas (1914-53), was and still is known both for his poetry and his eccentric personality. He started writing poetry when he was still a teenager and later in life he revised much of his youth enthusiastic outbursts which were embellished with the recurrent theme of life and death. His father, an English teacher at Swansea Grammar School, where Dylan himself had his education before leaving school to pursue journalism; his great uncle who was a poet, and also the Welsh bucolic landscapes, were the three inspirations that ignited his fervor for writing. The publication of Deaths and Entrances in 1946 established him as an adroit exploiter of some types of verse forms unfamiliar to English poetry such as villanelle. In his Poetic manifesto, in a pedantic and selfadmiring manner he proclaimed “I am painstaking, conscientious, involved and devious craftsman in words” (Greenblatt, 2012, p. 2698). Poor economic conditions made him to start reading poetry for radio shows and BBC radio programs with little income, and in spite of his health problems from early childhood when he was diagnosed with Asthma and Bronchitis and later heavy drinking, he initiated poetry reading tours in the United States, which were possible only because of his talent of reading, enchanting voice, and his fame achieved by reading in England. It was his romantic and positive approach of his poems such as Fern Hill, And Death Shall Have No Dominion, and Do Not Go Gentle into That Good Night that raised him to higher attentions in the realm of poetry.

The Uncategorized Father: From Self-Manipulation to SelfCreation in Dylan Thomas’s Do Not Go Gentle into that Good Night