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Este articulo rastrea la presencia de Lucrecio en cuatro florilegios renacentistas: el Viridarium illustrium poetarum de Mirandula, los Virtutum encomia de Henri Estienne, los Illustrium poetarum flores de Mirandula y el Florilegium magnum de Jose Langio. De su analisis se deduce que el De rerum natura fue, pese a sus planteamientos epicureos y hereticos, una obra comunmente extractada en estos repertorios. Dado que estas polianteas renacentistas eran manuales usados por universitarios y escritores de toda Europa, tambien facilitaron, como se demuestra, la imitacion poetica del De rerum natura en Espana. PALABRAS CLAVE: Lucrecio, florilegios, Mirandula, Langio, tradicion, tergiversacion, imitatio, Espana Abstract This paper surveys the presence of Lucretius in four Renaissance florilegia: the Viridarium illustrium poetarum by Mirandula, the Virtutum encomia by Henri Estienne, the Illustrium poetarum flores by Mirandula and the Florilegium magnum by Joseph Langius. From their study we deduce that the De rerum natura , despite its Epicurean and heretical premises, was a work often extracted in these poetic collections. These Renaissance polyanthea were handbooks much used by university students and writers from all over Europe. As this article will show, these polyanthea paved the way for the poetic imitation of the De rerum natura in Spain. KEYWORDS: Lucretius, florilegia, Mirandula, Langius, tradition, misrepresentation, imitatio, Spain DOI: 10.20420/PhilCan.2014.0023

La importancia de las polianteas para la recepción de Lucrecio en España durante los siglos XVI y XVII