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espanolLa presentacion publica del Cristianismo durante la Antiguedad tuvo uno de sus mas importantes escenarios en los edificios ludicos, donde los seguidores de Cristo eran ejecutados en el marco de unos espectaculos de masas que buscaba la maxima crueldad posible, lo que paradojicamente otorgo un halo de heroicidad a los martires que contribuyo a la expansion de la nueva religion. Una parte importante de estos martires de las arenas la conformo el estamento episcopal, pero fuera de todo pronostico, despues del giro Constantiniano, sus sucesores en la mitra se convirtieron en los ‘senores de los anfiteatros’, coincidiendo con el establecimiento de un nuevo paradigma politico, social y religioso. A partir del bajo Imperio y en los siglos finales de la Antiguedad el obispo, ya no es solo un lider religioso respetado e influyente, sino tambien el nuevo patronus, gestor y responsable ultimo de muchas ciudades tardoantiguas, y como tal debia decidir entre el mantenimiento o el desmantelamiento de los edificios publicos que permanecian desatendidos por los curiales desde la crisis del siglo III. Asi, se documenta como bajo mandato episcopal parte de las maltrechas infraestructuras publicas se transformaron, arquitectonica y simbolicamente, mediante la ereccion de edilicia cristiana. Naturalmente, los edificios de espectaculos, por su simbolismo como antiguos escenarios martiriales, fueron lugares paradigmaticos de esta transformacion urbana. EnglishThe public presentation of Christianity during antiquity had one of its most important stages in the ludic buildings, where the followers of Christ were executed in the framework of mass shows that sought the maximum possible cruelty. This paradoxically gave a halo of heroism to the martyrs who contributed to the expansion of the new religion. A salient part of these martyrs of the arenas were bishops and, after the Constantinian turn, their successors in the mitre became the 'lords of the amphitheatres', coinciding with the establishment of a new political, social and religious paradigm. From the late Roman Empire and in the final centuries of antiquity the bishop is no longer just a respected and influential religious leader, but also the new patronus, manager and ultimate chairman of many late-antique cities, and as such he had to decide between maintenance or the dismantling of public buildings that remained neglected by the curials since the crisis of the 3rd century. Thus, It is documented how under episcopal mandate some of the battered public infrastructures were transformed, both architecturally and symbolically, through the erection of Christian edilice. By their symbolism as old martyrdom scenes, the spectacle buildings were obviously paradigmatic places of this urban transformation.

arys. antigüedad, religiones y sociedades/arys. antigüedad, religiones y sociedades

De mártir a promotor: el obispo y los edificios de espectáculos durante la Antigüedad = From martyr to promoter: bishops and entertainment buildings during the Antiquity