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Gunumuze degin, Albert Camus’nun eserleri, sosyolojik, politik, varoluscu, psikanalitik acilardan ve uslup bakimindan defaaten incelenmistir. Buna mukabil, ironi sanati ve bu elestirel uslubun beraberinde getirdigi kazanimlar ve sinirliliklar, arastirmacilar tarafindan cogunlukla goz ardi edilmistir. Aslinda Camus’nun muhalifleriyle hatta kendisiyle olan (ic)hesaplasmasinda kullandigi onemli ve tesirli silah, bu ironik uslubun belirsizligi degil midir? Peki, bu durum gun gelip yazarin aleyhine sonuclanabilir mi? “Ayna” temasi, nasil bir anlatimin temel cikis noktasi olabilir? Dunyanin anlamsizligini gun yuzune cikarmak amaciyla kisinin bunyesinde barindirdigi “ironi algisi”, bu “ayna” temasiyla tasvir edilebilir mi? Dil “ayna” olarak tasavvur edilebilir mi? “Suyla iliskilendirilen ayna temasi”, anlatimin gidisatini ne yonde etkilemektedir? Clamence karakterinde “ironi algisi” nasil ortaya cikar? Her seyi tiye almayi yegleyen bir yazarin, ekseriyetle basvurdugu kendisine ozgun ironi temelli teknikler nelerdir? O halde Camus’nun uslubunda sikca basvurdugu bircok hiciv teknigi bu sekilde karsimiza cikmaz mi? Istiare araciligiyla “ayna” kavrami Albert Camus’de adeta bir katalizor rolu gormektedir. Bu sayede ayna temasi bircok gorselligi ve diger muhtelif temalari da bunyesinde barindirarak gercek bir anlatimi ortaya cikarir. Cok yonlu bu tema; oykuleme sanati, psikanaliz, felsefe gibi muhtelif acilardan ve estetik bakimdan da deger kazanir. Calismamizda tum bu sorulara cevap aranmaya calisilmis ve bu sayede Camus’nun cok fazla incelenmeyen ironik dili de on plana cikartilmistir. Anahtar Sozcukler: Camus, Ayna, Ironi Sanati, Ironi Algisi SYMBOLISM AND THE CONCEPT OF IRONY IN CAMUS’ LA CHUTE Abstract: Until today, many sociological, political, existential, stylistic and psychoanalytic studies have been carried out on the works of Camus. In contrast, two essential characteristics have often been ignored by the researchers: the irony and its issues. The thing what Camus used to get even  with his enemies, maybe more with himself having the role of a highly developed weapon was the ambiguity of this cynic style? Can this cynic style be against the writer? How and why the micro theme as a 'mirror' can become the main axis of a narrative? The mirror can turn into an inevitable tool to reveal cynic “me” and the absurdities of this world? Can the language be conceived as a mirror?  How does the aquatic mirror effect the organization of the story? How does the cynic “me” appear in the character of Clamence? What were the preferred techniques of the writer who likes to turn everything into ridiculous? In that case, many ridiculous situations appear in the works of Camus? In effect, the mirror by means of metaphor seems to play a role of a catalyst for Camus. The mirror provides the creation of a real narrative by gradually becoming the center of a network of images and themes. Thus, this multiple meaning theme obtains many aesthetic, narrative, psychoanalytical and philosophical values at the same time. In our study, all of these questions are tried to be answered and thanks to this, Camus’s underestimated ironic language is also highlighted. Keywords: Camus, Mirror, Ironisation, Cynic “me”

LA SYMBOLIQUE DU MIROIR ET LE MOI IRONIQUE DANS LA CHUTE DE CAMUS