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In 1977, Serge Doubrovsky invented the term autofiction to qualify his own practice initiated in Fils. In the bur accompanying the book we can read this: "Fiction, of events and facts strictly real; autofiction if you will, of having entrusted the language of an adventure to the adventure of language, out of the wisdom and the syntax of the novel, traditional or new”. Being anchored both in fiction and reality, the stake of the autofiction is above all literary. Indeed, postmodern literary criticism has been trying to define the boundaries of this new literary object. Today, autofiction is the postmodern form of the questions the authors ask themselves about their identity, their intimacy. Thus, to carry out this research we chose three Autofiction authors: Philippe Forest, Marie Darrieussecq and Serge Doubrovsky. All three have their own theory on autofiction and put their theories into practice through their novels: L’Enfant Eternel, Fils and Le Bebe. We can try to understand why authors of autofictions feel the need to go through the theory to accompany their stories.

humanitas uluslararası sosyal bilimler dergisi/humanitas international journal of social sciences

DE LA THEORIE A LA FICTION: UNE ETUDE AUTOFICTIONNELLE SUR FILS DE SERGE DOUBROVSKY, L’ENFANT ETERNEL DE PHILIPPE FOREST ET LE BEBE DE MARIE DARRIEUSSECQ