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War Trauma and the Terror of Freedom: Yugoslav Black Wave and the Critics of Dictatorship. Relying on the concept of cultural trauma, the author interprets the attitude of post-Yugoslav societies towards the so-called Black Wave films. The paper examines the prohibitions of these films during the communist period, the increased interest in them during the 1990s, and finally, its disappearance from popular culture, which all testify the multilayered cultural trauma which Yugoslav and post-Yugoslav societies have been going through since the 1940s.

War trauma and the terror of freedom: Yugoslav black wave and the critics of dictatorship