English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

The body in horror fiction is, as Jack Morgan argues, “mystery incarnate” in itself; “the occasion of birth, life, sexuality, and death as well as of all disease, nightmare, and terror”.1 While focusing mainly on death, horror texts tend to address as many of those as possible. Horror fiction authors connect death with sexuality, disease and all manner of body horror in most imaginative ways, making use of not only the natural fear of death shared by virtually all audiences, but also the abject nature of the dead body and everything related to it, so prominent in Western culture. The recognition of the dead body as abject is a relatively new attitude. Around the end of the 18th century Western culture underwent a radical and significant change in the perception of the dead, which can be observed in funerary practices and rituals of that time; this change consisted in “disguising evidence of bodily

Thanatomorphose and Contracted: Feminine body and sexuality in horror and the horror of feminine body and sexuality