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This paper aims to perform a reading of Lars von Trier’s film — Antichrist — by the conceptual bias proposed by Jacques Ranciere in his book Le partage du sensible: esthetique et politique. This film would combine the elements required to constitute an esthetic regime of art, which allows, within this context, the establishment of an axiomatic sense in the material analysis, as predicated Alain Badiou in his Handbook of Inaesthetics.

O Cinema Contemporâneo e o Regime Estético da Arte: uma Leitura do Anticristo de Lars von Trier sob o Juízo Axiomático