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This theoretical-practical research had as object of study the relation between the scenic body and daily object in the contemporary dance. The investigation had a qualitative perspective and was conducted from practical studies based on theoretical references. Among the objectives, it was intended to identify the object as part of a social and cultural context, to verify its function in the artistic scope and test its interference within a creative process. The study had as an outcome the creation of a solo dance piece, as well as the analysis and theoretical discussion of the process and results

The secret relationship between the object and the dancer's body in the contemporary dance scene