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The aim of this article is to reflect on the uses, circulation and evaluation of what is officially known as photographic heritage in a specific case of the ecuadorian context. I will refer to a group of photographies collected by Alfredo Kuffo Anchundia, who has collected historic images for approximately 50 years in a small town located in the coast region of Ecuador. What I propose is that the practice of this collector and the particular treatment he has given to the group of historical photographies compose subaltern micro-stories opposed to the official discourses about memory and cultural heritage in the visual archive. The theoretical-methodological approach that I present comes from the approaches of visual anthropology, thus I will resort to the ethnographic description and understanding of historical photographs as research data.

Alfredo Kuffó y los usos del pasado: microrelatos de una colección fotográfica