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In 1935, the tenor Vicente Celestino has released the song O Ebrio . Taking advantage of the great success that was achieved, the song was transposed to the universe of theater, cinema, literature, and tv soap opera throughout thirty years. The article takes the intermidiality, the concept of transposition and the star system as an analysis tool of O Ebrio, by Gilda de Abreu. Based on the construction of Vicente Celestino’s persona in the materiality of the movie, in the lyric self of the song and in the representation of the actor's media life, the objective is to demonstrate how the star presence in the screen, in musical sequences along with intermedial transposition become present in the cinematographic form.

Caminhos cruzados entre intermidialidade, star system e música no Ébrio de Gilda de Abreu