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From the beginning of his career, Jose Revueltas reveals a persistent attraction for criminal cases, their popular repercussions and his philosophical research. From the exploration of the underworld of the crime reporting and popular press, and a deep immersion in the judicial archives, his last works deepen with a sometimes excessive and delirious reflection on crime and its memory, freedom and the law, the “profound act” and the forgetting of a previously committed crime, within the framework of a speculation that appeals to narrative resources —deeply poetic, and at times psychoanalytic—. This essay approaches, mainly from the notes and drafts left by Revueltas, two fragments of that last period: the story “Hegel y yo,” included in Material de los suenos , and the pages that remain of his unfinished novel: El tiempo y el numero . And with the background of dream and death.

Crímenes inmemoriales: nota roja y Material de los sueños