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From an inter-semiotic perspective, this paper argues in favor of the recognition of sound poetry as a category in the literary studies. Some of the main features of sound poetry and its links with visual poetry and music are examined here, aiming for a comprehension of the gradual release of this form of poetry from the page and the written support, and for an exploration of its expressive potential based on technology for sound reproduction. Its links with other kinds of sound art and the strategies it uses are illustrated briefly through some examples of the Mexican context.

Poesia sonora, arte sonoro: un acercamiento a sus procesos de semiosis