English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

It is undeniable the contribution that journalistic photography offers in the construction of social memory, especially if it is about societies where social traumas occurred, such as terrorism in Peru between 1980 and 2000. This article is a complement to the doctoral thesis that the author develops on the study of journalistic photography as a valid historical document, taking into account the context of the publication and the editorial line of the media where the photograph is published, since these two elements, apart form many more, expand the contribution of the image for the construction of historical memory, having as reference the case and the means of communication mentioned in the title. The use of journalistic photography as a source of the construction of historical memory must be a rigorous exercise on the interpretation that gives an image about a given event, also taking into account the image-text relationship. This methodology is raised by Erwin Panofski in his essays on iconology and that in this article will b e developed in order to expose the proposed objectives as the contribution of journalistic photography in the construction of social memory, among other objectives to achieve through the development

Análisis de la fotografía periodística como documento histórico para la creación de memoria social en la época del terrorismo en el Perú