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The influence of Platonic philosophy during the Renaissance is undoubtedly vigorous. However, during Quattrocento and Cinquecento, Plato’s negative view about image is no longer shared by the scholars of that time. It seems that during the Renaissance the honor with which the logos are invested by Plato begins to be attributed to the image, too. Thus, the image becomes an indispensable tool in the process of knowledge and in the philosopher’s search of truth. There are some main reasons which underlie this change of perspective and which deserve to be called into question.

THE IMAGE’S STATUS DURING THE RENAISSANCE – A GATEWAY TO TRUTH AND SELF-KNOWLEDGE