English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

This article is a psychoanalytic, primarily Lacanian, reading of Lourens du Plessis’s chapter on Calvin and Calvinism in Hugh Corder’s (in)famous 1988 edited collection, Essays on law and social practice in South Africa. The piece turns on two reference points, namely the political critique of fraternity in recent critical theory, and narcissism in the psychoanalytic literature. I argue that Du Plessis’s text holds these reference points in a constant aporetic / contradictory tension that reflects not only the fundamental aporia of Eros and Thanatos in the approach of psychoanalysis to civilisation, but also the primordial ambivalence of narcissism and, ultimately, what Gillian Rose calls the Janus-face of universality as such. The political contention of the piece is that apartheid can and must be understood as a regressive and, hence, aggressive narcissistic fraternity for which the spatial shorthand is Carl Schmitt’s nomos as the ‘man-ring’. Du Plessis’s lesson of 1988 is that it is only by way of the appeal to and for universal love that we can think a transformed maternal fraternity / sorority which is below and beyond the law, but to which constitutional democracy nonetheless provides what Jean-Luc Nancy calls ‘a point of approach’ and, as such, a creative breach of the ‘man-ring’.

Lourens du Plessis’s lesson: love, politics and psychoanalysis in the age of the narcissist