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espanolEl film puede interpretarse como una representacion estetica de los minuciosos mecanismos del ejercicio del poder que tienen por finalidad y tal como lo plantea Michel Foucault en los distintos tramos de su obra, disciplinar y normalizar a aquellos que pretenden cuestionarlo. Foucault lo planteo refiriendose a las formas modernas del ejercito, la escuela, las prisiones, hospitales, que podemos extender a las relaciones de genero, tematica de la que no se ocupo el autor. En la Linterna roja, las representaciones filmicas del autoritarismo no solo estan asociadas a la vida cotidiana de mujeres subordinadas a la ley del varon, tanto en el plano social como cultural, sino que pueden interpretarse, como la construccion de un tipo de poder disciplinador que atraviesa los distintos regimenes politicos de la historia de China del siglo XX. Filmada poco tiempo despues de la represion en la plaza de Tiananmen, las potentes imagenes sobre el poder y el patriarcado representan las normas morales tradicionales del Confucionismo y resignifican por extension, a las de la China comunista. EnglishThe film can be interpreted as an aesthetic representation of the meticulous mechanisms of the exercise of power that have as purpose –as it´s proposed by Michel Foucault in the different stretches of his work–, to discipline and normalize those who pretend to question it. Foucault put it in reference to the modern forms of the army, the school, the prisons, hospitals, which we can extend to gender relations, a topic not dealt with by the author In the Red Lantern, the filmic representations of authoritarianism are not only associated with the everyday life of women subordinated to the law of the male, both socially and culturally, but can be interpreted as the construction of a kind of disciplining power that crosses the different political regimes of the history of China of the twentieth century. Filmed shortly after the repression in Tiananmen Square, the powerful images of power and patriarchy represent the traditional moral norms of Confucianism and re-signify, by extension, those of Communist China.

Poder estatal y dominación de género: sus representaciones en La linterna roja (China, 1991) de Zhang Yimou