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Extensive is the recognition of Léonidas Barletta for his career as a journalist, through his literary works and for his immense contribution to the renewal of the national scene. Always crossed by a marked ideology and socio-political militancy, it was consecrated as an icon of the Independent Theater, from the foundation of the People’s Theater and by multiple staging of invaluable texts such as, for example, those of Roberto Arlt. This study proposes the analysis of Barletta, not only as an active promoter of the scene of the time, but as a playwright through the pieces Hate (1931) and The Age of the Rag (1956). Barletta also made a difference in what the theater was until that moment, establishing norms and even manuals (Actor’s Manual and Director’s Manual), about how the theatrical activity should be. In spite of his innumerable achievements, the scarce dramaturgy of the famous theatrical player is not recognized, has not transcended too much, nor has it been represented on numerous occasions and neither his dramatic and theoretical texts have been reissued today.

La dramaturgia de Leónidas Barletta. Análisis sobre Odio y La edad del trapo