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Resumo Este artigo traz consideracoes sobre o direito a informacao no campo da musicologia no Brasil, especialmente sobre o acesso a fontes musicais manuscritas. O autor compara a situacao atual com o contexto de fins da decada de 1990, apresentando exemplos concretos de avanco em termos de acessibilidade das fontes e reflexoes sobre o impacto das tecnologias digitais na area em foco. Finalmente, aponta aspectos em que nao houve tranformacoes significativas, tais como as restricoes legais, as dificuldades metodologicas e a falta de mobilizacao coletiva para a discussao e definicao de politicas publicas voltadas para o tratamento e a conservacao do Patrimonio Musical no Brasil. Palavras-chave musica brasileira, musicologia historica, acervos, digitalizacao, patrimonio cultural Abstract This article presents considerations about the right to information in the field of musicology in Brazil, especially on the accessibility to hand-written musical sources. The author compares the current situation with the context of the late 1990s, giving positive examples in terms of accessibility of the sources and reflections on the impact of digital technologies in the area in focus. Finally, we discuss aspects in which there were no significant transformations, such as legal restrictions, methodological difficulties and the lack of collective mobilization for the discussion and definition of public policies for the care and preservation of musical heritage in Brazil. Keywords brazilian music, historical musicology, collections, digitization, cultural heritage

Novas considerações sobre o acesso ao Patrimônio Musical no Brasil | New considerations on access to Brazilian musical heritage