English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

With the rise of a visibly more emotional public sphere, this article asks if visual framing approaches can be enriched by the integration of emotive elements. Focussing on television news, I ask in what way emotions manifest within audio-visual material, and how these representations of emotions and emotive elements can be analysed using visual framing analysis. This understanding is grounded in two recent turns: the turn to the visual and to the affective. Both turns provide the background for current framing understandings and visual framing approaches, and for a discussion of three empirical models of analysis and their varying potential to integrate emotive elements. I distinguish here between a holistic ‘emotion frame’, emotions as narrative structures, and emotion as frame element. I argue that emotions can be best conceptualized as a frame element; and three practical realizations are discussed to what extent they are helpful to analyse emotions empirically in audio-visual news material.

Do emotions fit the frame? A critical appraisal of visual framing research approaches