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Resumo Este artigo relata a montagem de uma adaptacao da comedia musical portuguesa do Seculo XIX, a magica: A Loteria do Diabo, de Joaquim Augusto de Oliveira, montada por professores e alunos da Escola de Musica e Artes Cenicas (EMAC) da UFG. Suscita reflexoes nos campos da danca, do teatro e da musica e as relacoes educacionais na producao artistica e academica. O trabalho foi desenvolvido na disciplina Oficina do Espetaculo III, do Curso de Artes Cenicas, a partir da adaptacao literaria da obra e a integracao do teatro, da danca e da musica, considerando-se as especificidades destas linguagens. A encenacao incluiu a pesquisa historica do genero, considerando suas caracteristicas peculiares, como a ilusao criada com efeitos especiais e a presenca de uma orquestra acompanhando o coro. A montagem indicou a relevância do dialogo entre as linguagens e o quao delicado e o ato de adaptar uma obra para o universo contemporâneo sem descaracteriza-la. Abstract This article reports on the staging of an adaptation of the Portuguese musical comedy from the XIX century: the magical: The Devil’s Lottery, by Joaquim Augusto de Oliveira, staged by teachers and students from Escola de Musica e Artes Cenicas (Emac) – UFG. It rouses reflections in the field of dance, theatre and music and of the educational relations in the artistic and academic production.The work has been developed in the subject Oficina do Espetaculo III from the course Artes Cenicas. It has been developed from the adaptation of the literary work and the integration of theatre, dance and music taking into consideration the specificities of those languages. The staging included the historical research of the genre, considering its peculiar characteristics such as the illusion created with special effects and the presence of an orchestra accompanying the choir. The staging indicates the relevance of the dialogue between the languages and how delicate is the act of adapting a work to the cotemporary world without mischaracterizing it.

A Loteria do Diabo: uma Comédia Mágica. O Teatro como Lugar da História e da Memória.