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For the first time in German literature studies the article examines the novel “Murau Identity” (“Die Murau Identität”, 2014) by Alexander Schimmelbusch (1975) entirely devoted to the oeuvre and public figure of Thomas Bernhard (1931-1989), one of the most important authors in the Austrian literature of the 20th century. The article deals with the representation of Bernhard’s literary style and his public mask in the Schimmelbusch’s novel. Special attention is given to the Schimmelbusch’s interpretation of the characteristic stylistic, narratological, and semantic constants of Bernhardian works. In the article we reveal two main forms of the Bernhardian word’s representation in the novel: parody and stylization. They correspond with two different narrative plans – first person narratives, one of which belongs to the journalist-character, the other one – to the publisher-character. The detailed analysis of the Schimmelbusch’s novel helps to complement the picture of the creative reception of Bernhard’s works in the 21st century.

Ongoing “bernhardisation”: Alexander Schimmelbusch’s novel“Murau Identity” (Die Murau Identität, 2014)