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This essay seeks to make a reflection on the importance of theater as a tool of sociosymbolic representation of the suffering of the victims and catalyst of mourning. In that sense, the case of the work analyzed Guadalupe years without account in order to understand the articulation of the imaginary, symbolic and real from which the work of complaint is configured through dynamic theater.

El teatro y la memoria histórica colectiva; recordar en medio del conflicto: Guadalupe años sin cuenta