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By means of an intertextual analysis the article considers color as a semiotic code along with its perception by Turkic and Slavic peoples. The subjects of the study are M. Bulgakov’s novel The Master and Margarita and O. Bokeev’s story The Trace of Lightning and its original text in Kazakh.

Color as a religious semiotic code and the language means of its expression in the works of M. A. Bulgakov and O. Bоkeev