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The article traces the evolution of J. Brodsky’s poetics driven by the desire to ‘be free from emotional sensitivity’ on the example of the poems The Letter in a Bottle (1964) and The New Jules Verne (1976). The transformation of the poet’s artistic manner is considered through the aesthetic categories of the tragic and the sublime.

Joseph Brodsky: from the tragic to the sublime (The letter in a bottle and The new Jules Verne)