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In the translation of texts, it is generally acknowledged that the meaning of certain language units can never be entirely transferred from one language to another, and that the translation process does not solely include the text. Modern approaches to translation theory concentrate far more on the contextual aspect of translation. They view language as part of the expression of a certain culture and society, as a code which encompasses and transfers cultural norms, customs, cultural values and world views. However, in the translation of Serbian texts, epic ballads have presented the biggest challenge due to the fact that their basic characteristic is not the meaning, but the form, which is representative of the Serbian tradition. This paper will be based on an analysis of the Serbian epic poem of the Kosovo cycle Car Lazar i carica Milica and its translations into English. Special attention will be paid to the ways in which the basic characteristics of Serbian epic poetry, such as meter and epic formula, are transferred to the English language. We will use three translations of this poem into English: Tsar Lazar and Tsaritsa Militsa (Of the Battle of Kosovo), a translation by Geoffrey Locke, Tsar Lazar and Tsaritsa Militsa, a translation by George R. Noyes and Leonard Bacon, and The Battle of Kossovo, a translation by Owen Meredith.

The Analysis of the Epic Poem of the Kosovo Cycle Car Lazar i carica Milica and Its Translation into English