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This paper will try to point out that readings of James Joyce’s Ulysses as a son’s quest for his father and a father’s quest for a lost son overlooks a very strong and important element of femaleness in the novel. In fact, the ties between A Portrait of the Artist as a Young Man and Ulysses are built upon motifs of femaleness and the mother. The mother figure is inscribed in both novels in various symbol nets, from the first sentence of A Portrait all the way to Molly’s ecstatic inner monologue. Other female figures appear merged one into another in A Portrait and this technique of blurring meaning and shapes remains very important in Ulysses. This paper will take into account a number of “gendered” readings of both novels.

Forging, Milking, Delivering: The Female and Maternal as Links Between a "Portrait" and "Ulysses"