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This work reviews the specifics of the poetic creativity of the Far Eastern poet Stepan Petrovich Komarov. For the analysis of the poetic chronotope, a new terminological aspect of consideration is proposed: “poetic topography”. It is shown that geographical realities and toponymy become the means for creating the poetic space of the Far East. Particular attention is paid to toponymy as a tool for translating the historical perspective; toponyms in the poetic text served to create realistic, mythopoetic and symbolic images.

vestnik moskovskogo gosudarstvennogo oblastnogo universiteta. seriâ russkaâ filologiâ/vestnik moskovskogo gosudarstvennogo oblastnogo universiteta. seriâ: russkaâ filologiâ

THE POETIC TOPOGRAPHY OF THE AMUR REGION IN THE POETRY OF PETER KOMAROV